I. Copyright Law
B. Which types of works are included in the copyright?
C. Time limits of some copyrights
D. Ownership of the copyright
1. When a copyright begins
2. Who owns the copyright
3. Exclusive rights of the copyright owner
4. Limitations on the exclusive rights of copyright owner
5. Areas not protected by copyright
6. Copyright infringement
E. Benefits of registering a copyright
II. Works in Public Domain
A. Works written before copyright laws
B. Works available after copyright ends
1. Early copyrighted works available after twenty-eight years
(fifty-six if extended)
2. Current copyright works available seventy years after
composers death
III. Production Qualities of a Demonstration Tape/CD
A. How elaborate to make the demo
B. Length and type of demo
C. Choice of songs for the demo
D. Choice of arrangements of songs for the demo
IV. Professional Studios and Production Services
A. Type of music will help determine the type and size of
studio
B. Consider cost of time, tapes or tracks, equipment, studio
personnel, room size, and sound engineer
C. Special deals offered by studios
2. Late hours and down time
V. Beneficial Ways of Working with Professional Studios and
Production Services
A. Identify needs and hire studios with the right personnel and
equipment
B. Discuss the cost in complete detail
1. Learn all the ramifications of the specific equipment being
used
a. Some equipment requires “remixing” time
b. Some signal-processing equipment is not available at all
studios
2. Establish which sound engineer will be used
3. Establish the amount of help you can expect from any studio
assistants
C. Actual recording process
1. Double your estimated recording time
2. Rehearse the musicians and singers ahead of time
3. Make sure your engineer knows ahead of time what you want
and how you want to do it
VI. Promoting and Presenting a Demo
A. Place the best and most commercial song first on the tape
B. Don’t send Digital Audio Tape (DAT) unless requested
C. Always cue your tape to the beginning of the first song
D. Send a neatly typed lyric sheet
E. Never send more than four songs, unless requested
F. Make sure there is a copyright notice
H. Include a self-addressed stamped envelope for return of your
demo
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