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Official Course
Description: MCCCD Approval: 3/28/95 |
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MTC103
1995 Fall - 9999 |
LEC |
2 Credit(s) |
2 Period(s) |
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Introduction
to Aural Perception |
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An
introduction to the aural skills necessary to hear relationships of intervals,
rhythms, melody, and harmony in music. Prerequisites: None. Course Notes: MTC103 may be repeated for
a total of four (4) credit hours. |
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Go to Competencies Go to Outline
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MCCCD
Official Course Competencies: |
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MTC103 1995
Fall - 9999 |
Introduction to Aural Perception |
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1.
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Identify all pitches on the staff. (I) |
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2.
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Explain the significance of the top and bottom number of a
meter signature. (II) |
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3.
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Identify, by sight and sound, simple and compound metered
music. (II) |
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4.
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Notate commonly used rhythms in simple and compound
meters. (II) |
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5.
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Detect, through listening, rhythmic errors in a musical
fragment. (II) |
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6.
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Perform rhythmic exercises in simple and compound meters.
(II) |
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7.
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Aurally compare the pitches between a major and a minor
scale. (III) |
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8.
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Aurally identify and notate all simple intervals. (III) |
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9.
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List structural characteristics of a melody. (IV) |
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10.
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Notate, based on listening, melodic fragments in major and
minor keys. (IV) |
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11.
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Sight sing simple melodies. (IV) |
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12.
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Define the four triad types. (V) |
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13.
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Identify aurally and notate root position triads. (V) |
Go to Description Go to top of
Competencies
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MCCCD
Official Course Outline: |
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MTC103 1995
Fall - 9999 |
Introduction to Aural Perception |
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I. Notation A. Staff B. Clefs C. Pitch notation II. Rhythm A. Meter signatures 1. Simple meters 2. Compound meters B. Note values 1. Common rhythms used in
simple/compound meters 2. Detection of rhythmic
errors C. Exercises: performing
common rhythms in simple/compound meters III. Intervals A. Pitch difference between
major and minor scales B. All other intervals
within the octave IV. Melody A. Structural
characteristics 1. Starting and ending
pitches 2. Melodic curve 3. Highest and lowest
pitches 4. Stepwise or leaps B. Fragments in major keys
using simple/compound meters C. Fragments in minor keys
using simple/compound meters D. Error detection E. Sightsinging
simple melodies 1. Stepwise motion 2. Leaps within the tonic
triad V. Triads A. Intervallic construction
of triads in root position 1. Major 2. Minor 3. Diminished 4. Augmented B. Aural identification of
all triads |
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